34 recognizes the possibilities of self-expression, perhaps the walls crack a little. Perhaps. Words can, indeed, turn them around, but sometimes having all the right words is small change. “Before despairing, speak of it,” said a wom- an one day in class. Even when writing of despair, there’s the fact—named and held to the light for a moment—maybe even under- stood. WITHOUT WALLS/FREE SPACE is continuing to work at a children’s center, a drug clinic, and another women’s prison. It’s important to main- tain the lifelines between people on the outside and those inside. But what happened at the Women'’s House of Detention can easily happen again. Especially if publishing is, as it should be, part of the writing project. Prison writers have a right to be heard as does any writer. Their voices are too impor- tant to be missed. Publishing is part of the art of not bowing. Each time a man or woman in a cell Next Time (group poem from the videotape of the same name) You don’t hear me You don’t see me I’'m the one just a step behind you a split second before the light changes on the corner. The face that breaks the glass without a sound The hands that take your money on a screaming train uptown. Ladies. | had nowhere to take myself tonight Except to myself To my own face Reflected in yours And my own voice telling me THERE IS NO NEXT TIME FOR ANY OF US Just the husbands and families waiting Just the habits and fast money waiting The kids in the street The kids in strangers” homes The kids in our bellies The kids we are inside And the lies we tell ourselves To goon living LISTEN No one got over on you tonight No one lied here tonight We told the truth And the truth is what you see before your eyes Ladies Before you forget, ladies, Till the “next time” . . . . My best. Carol Muske is a New York poet and assistant editor of Anteus. Her book, Camouflage, was published in 1975 (University of Pittsburgh Press). She directs the prison program Art Without Walls/Free Space at Bedford Hills Correctional Facility for Women. :\‘M/\\/ . = - - -